In the short story “The Sisters”, there are some apparent
themes. The first is the luminosity of light. When the narrator passes by the
priest’s house, the house is “lighted the same way, faintly and evenly” (1). To
the narrator, this is a good sign because if the priest is dead, the narrator
would “see the reflection of candles on the darkened blind…two candles must be
set at the head of the corpse” (1). The narrator goes to mourn for the loss of
the priest after sunset. Since the sun is no longer up, the sky is dark. The
darkness represents the lack of life. In the room with the coffin, there are
candles that look like “pale thin flames” (7). Here, the candles are letting
out a “dusky golden light” (6), placed there by those who are trying to keep
the memory of the priest alive. This light is artificial, yet it is the last
attempt to bring life where there is sadness and mourning. The narrator
recounts a time when they found the priest “sitting up by himself in the dark”
(10). At this point, even though the priest was physically alive, he was no
longer mentally connected to the world.
Another
theme is the inability to speak. When Mr. Cotter visits the house, he says some
things that anger the narrator. Instead of speaking out, the narrator continues
to eat “for fear that I might give utterance to my anger” (3). The narrator
here is choosing not to speak. The priest, on the other hand, is unable to
speak. The priest has suffered three strokes, which have left him with
paralysis. This contrasts the choice to not speak and the inability to speak.
There is
also the use of color to show liveliness. When thinking about the priest, the
narrator remembers “the heavy grey face of the paralytic” (3). This imagery is
repeated again when the narrator sees the priest in the coffin. The priest is
described as having a “very truculent, grey, and massive” (7) face. Grey is
typically a lifeless color, which shows the lack of vitality in the priest.
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